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SPEAKER_05: Taxes, fees and other third-party charges will apply.See website for additional details.With AT&T in-car Wi-Fi, stay connected wherever you go and transform your vehicle into a dependable Wi-Fi hotspot.Powering applications like real-time GPS and voice assistant, navigation becomes a breeze.Even on the practice field, AT&T in-car Wi-Fi keeps you connected while in proximity of your vehicle.Work, stream shows or finish homework without missing a beat. See if you're eligible for a free trial at att.com slash in-car Wi-Fi.Don't let connectivity be a roadblock in your journey.Always pay careful attention to the road and don't drive distracted.Wi-Fi hotspot intended for passenger use when vehicle is in operation, compatible device and vehicle required.
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SPEAKER_01: Hello, from Wonder Media Network, I'm Jenny Kaplan, and this is Womanica.This month, we're talking about women of sound.These women dominated the airwaves, innovating, documenting, and creating the audio landscape we live in today.Today, we're talking about a woman whose talent and personal journey tell the story of resilience and cultural revival.Let's talk about Aimee Paine. In 1943, Aimé was born into the Mapuche and Tehuelche community in Rio Negro, Argentina.At the time, Argentinian laws didn't recognize names of indigenous origin, like Aimé.So Aimé was legally named Olga Elisa Painé. When Aimée was three years old, she was sent to an orphanage.Though her parents were alive, they were unable to take care of her.
She spent the next three decades drifting further and further away from her family, community, and culture.As a child, Aimée spent a lot of time in Mar de Plata.She was often lonely.No one in her school or her town looked like her.Adults and kids constantly repeated harmful stereotypes about indigenous people, that they were savages. Aimée longed for a sense of identity and belonging.Eventually, she found it in music.Aimée joined the school choir.She was musically inclined and had a beautiful voice.A couple in the area heard her sing and adopted her.
The couple took interest in her musical abilities and hired private tutors for singing and guitar. When she was old enough to be on her own, Aimée moved to Buenos Aires.There, in 1973, Aimée joined the National Polyphonic Choir.While in the choir, she sang mostly classical music.But as she got older, Aimée had been interacting more with Mapuche culture and indigenous music of Latin America.She longed to know it better.Armed with her guitar and an unwavering sense of purpose, Aimée embarked on a mission to reclaim her heritage. She traveled throughout Argentina and Chile, tape recorder in hand, collecting songs, folklore, and teachings from the indigenous communities and cultures she encountered.As her knowledge and talent blossomed, so did her awareness of the challenges facing indigenous communities in Argentina.Discrimination, marginalization, and cultural erasure threatened to silence the voices of the Mapuche people.
But Aimée refused to be quiet. The community grandmothers were a particularly rich source of information.They taught her about Mapuche music, about its rhythm, its poetic lyrics.They also introduced her to ta'il, ceremonial songs passed through generations, usually by women.With the grandmother's permission, Aimée recorded these chants.She understood that her voice was not just a means of expression, but a vessel through which she could honor her roots and amplify the voices of the Mapuche people. She traveled around with her guitar performing folkloric and indigenous songs.She sang in the Mapuche language, Mapudungun, and played recorded ta'iles from the grandmothers who'd taught her.She passed along anecdotes that the grandmothers had told her while visiting them.Dressed in authentic indigenous clothing and Mapuche silver jewelry, Aimée converted her concerts into anthropology classes about the Mapuche culture.
Many people dissuaded Aimée from her work.They said people didn't care about the issues of indigenous people anymore.But Aimée wasn't deterred.Through her music, Aimée became a beacon of hope, breathing new life into ancient songs that had been all but forgotten.She believed that if the people existed, so did the culture.With each melody and soul-stirring lyric, Aimée invited her audiences to experience the beauty and resilience of Mapuche culture firsthand. She thought of herself as a messenger.She said of her performances, The warmth and love behind Aimée's voice resonated with people of all backgrounds, transcending language and cultural barriers to create connections based on shared humanity.Her work was all live.Despite her vocal abilities, Aimée never recorded an album.
On September 10th, 1987, Aimée suffered a cerebral hemorrhage while performing in Paraguay.She was 44 years old.Today, Aimée's legacy continues to inspire and empower individuals around the world.Her music serves as a testament to the enduring spirit of the Mapuche people and a reminder of the importance of preserving indigenous cultures in an ever-changing world. All month, we're talking about women of sound.For more information, find us on Facebook and Instagram at Womanica Podcast.Special thanks to Liz Kaplan, my favorite sister and co-creator.Talk to you tomorrow.
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SPEAKER_00: What's up, y'all?Janice Torres here.
SPEAKER_04: And I'm Austin Hankowitz.
SPEAKER_00: We're the hosts of Mind the Business, small business success stories, a podcast presented by iHeartRadio's Ruby Studios and Intuit QuickBooks.Join us as we speak with small business owners about the tools they use to turn their ideas into success.
SPEAKER_04: From finding that initial spark of entrepreneurship to organizing payments and invoices, we've got you covered.So follow and listen to Mind the Business, Small Business Success Stories on the iHeartRadio app or wherever you get your podcasts.
