On the Edge

Episode Summary

Title: On the Edge - The episode tells the story of Surya Bonaly, a French figure skater who was one of the few black athletes in the sport in the 1990s. - Bonaly had an athletic and powerful skating style that was very different from the more graceful and balletic style favored by judges at the time. She consistently received low scores for artistry despite landing very difficult jumps. - Bonaly felt she was unfairly judged due to her race and style. At the 1994 World Championships, she refused to stand on the medal podium after controversially losing the gold medal. - At the 1998 Olympics, despite injuries, Bonaly performed an illegal backflip as a final act of defiance. She was the only person to ever land the move and it was later named after her. - Bonaly retired after 1998 without an Olympic medal. She is credited with influencing the sport to focus more on athleticism, though figure skating has not seen another black athlete rise to prominence since.

Episode Show Notes

At the 1998 Olympics in Nagano, Japan, one athlete pulled a move that, as far as we know, no one else had ever attempted.

In this episode, first aired in the Spring of 2016, we tell you about Surya Bonaly. Surya was not your typical figure skater: she is black, she is athletic, and she didn’t seem to care about artistry. Her performances—punctuated by triple jumps and other power moves—thrilled audiences around the world. Yet commentators claimed she couldn’t skate and judges never gave her high marks. But Surya didn’t accept that criticism. Unlike her competitors—ice princesses who hid behind demure smiles—Surya made her feelings known. 

Then, during her final Olympic performance, she attempted one jump that flew in the face of the establishment and marked her for life as a rebel.

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Episode Transcript

SPEAKER_05: Radiolab is supported by Apple Card. Apple Card has a cash-back rewards program unlike other credit cards. You earn unlimited daily cash on every purchase, receive it daily, and can grow it at 4.15% annual percentage yield when you open a savings account. Apply for Apple Card in the Wallet app on iPhone. Apple Card subject to credit approval. Savings is available to Apple Card owners subject to eligibility requirements. Savings accounts provided by Goldman Sachs Bank USA. Member FDIC terms apply. SPEAKER_08: Crack cocaine plagued the United States for more than a decade. This week on Notes from America, author Donovan Ramsey explains how the myths of crack prolonged a disastrous era and shaped millions of lives. Listen now wherever you get your podcasts. SPEAKER_05: Heyo Lulu here. We are going back to the archives for hands down one of my top three favorite Radiolabs of all time. I'm not going to say any more. Here is Jad and Robert. SPEAKER_00: Listening to Radiolab. From WNYC. SPEAKER_04: Rewind. Okay so then if... what? How are we going to introduce this? How would you convince the many people listening to stay listening? Because it's a great story. It doesn't matter that it's figure skating. It's like a really SPEAKER_03: good story. It's a good story that like pops off of... Okay I'm Jad Abumran. SPEAKER_04: I'm Robert Krolwich. This is Radiolab. I've never been a huge fan of figure skating but like this story I think asks a really interesting question. The question would be what if you with all your heart wanted to be the best at something SPEAKER_02: but the persons who judge what's the best at this something you want to do don't share the bestness with your sense of bestness so you do your best and their best and your best are different and now you can't best it out. SPEAKER_04: What do you do? What do you do? The story comes from our producer Latif Nasser and also producer Tracy Hunt. Okay. SPEAKER_03: Okay okay all right. Okay so let's start then so okay so we're starting in 1998. We're at the Olympics in Nagano. In Japan. Japan and warming up on the ice you have this woman this figure skater uh Surya Bonaly. How do you spell Surya? SPEAKER_07: S-U-R-Y-A. She's French. 24 years old. She's black. SPEAKER_15: Five times European champion but all sorts of problems particularly injury problems. SPEAKER_07: She's got an Achilles tendon that's been stitched together. It's called a muscle. She's on painkillers and... SPEAKER_02: She competed for France in 1994 and just missed the podium. SPEAKER_03: She's never medaled at the Olympics before. This is her probably her last go in in front of the world. SPEAKER_15: For France here is Surya Bonaly. SPEAKER_03: And it was during this performance that Surya Bonaly did something that had never been done by anyone. Anyone. Ever. And you could either see it as a as a kind of... SPEAKER_07: Middle finger to the establishment like this huge F-you. Or... Oh my goodness. Boom! Hello. Just this beautiful moment of self-affirmation. What'd she do? SPEAKER_04: Uh we'll get there. SPEAKER_14: Hello? Hello how are you doing? I'm pretty good thanks. SPEAKER_03: I laughed out loud when I when I heard you say that you would call me on your Zamboni break. SPEAKER_14: Yeah I know it's like it's the only time. SPEAKER_03: Okay so to really understand just the context of all this and the stakes of that that moment we got to go all the way back. So how did you how did you first get into skating? SPEAKER_14: Well I did start skating because of my mom actually. SPEAKER_07: So Surya was actually adopted as a baby by this white couple in the south of France. She grew up in Nice. SPEAKER_14: My mom was a sport coach and she was able to be like a volunteer for a gymnastic club and skating club. So even though you know I was small tiny tiny she just put me on the ice and say hey just hang around and chill on the ice and you know and I spent lots of hours there just waiting for my mom. And one day I guess find out that I had you know some skating boots who fit me and she SPEAKER_03: started skating. SPEAKER_14: Yeah fortunately I was good at it. Pretty soon she had a coach from the local ring. I guess a coach kind of call and have a meeting with your parents say hey you know it would be nice if you could come like two times a week probably now it would be nice if we'll do maybe four times a week. Well how about every day? Okay here we go. SPEAKER_03: And so by the age of 10 she decides she wants to spend her life figure skating. SPEAKER_14: It was my dream to you know to do it and I know I can. So she would go to these ice shows. Like Holiday on Ice. When I see the show I love the bling bling. I love the show time and just you know those fantastic costumes. SPEAKER_07: She would see all these famous skaters. I had my eyes glued on those skaters. They would just be flying through the air. SPEAKER_14: I thought it was like amazing. SPEAKER_03: And she would go to practice and she would practice all of the things she saw all the double axles and the triple toe loops and split jumps and the sow cows and the double sow cows and the you know quadruple double triple axles. Do you have any idea what you're saying right now? SPEAKER_03: No no no. These are all just words to me. SPEAKER_14: It was very fast. I improved every week every month you can see a difference. SPEAKER_07: And speaking of difference you know if we fast forward a little bit. SPEAKER_15: And here she is on the world stage Surya Banali. SPEAKER_07: In 1989 when she appears at the world championships. SPEAKER_03: The thing that becomes really apparent is that she is different. Yeah. SPEAKER_14: Because I was black so I was like people like what? French? SPEAKER_07: Black? So I'm black and I definitely remember when she was about to skate my mom would be like the black girl is skating so we all had to like pay attention. SPEAKER_14: And so people start to be kind of curious. This girl is very different. SPEAKER_15: Oh it was um it was arresting. SPEAKER_10: That's Johnette Howard. Can you write it for ESPN.com. SPEAKER_09: Surya Banali is a striking and exotic figure on the ice. SPEAKER_10: She just arrested your eyes when she skated. The contrast of her skin on the ice was beautiful. And then there were these fanciful stories that sprung up about where she came from. We are now taking you about as far away from the skating world as possible. SPEAKER_03: Pretty much as soon as she hit the scene you started hearing these rumors that she had been adopted from a coconut strewn beach in Reunion Island off the coast of Madagascar. An unlikely place to find a world class figure skater. And that she had um that she what was it? Notice her hair. SPEAKER_07: That she never cut her hair. Surya has not cut her hair since her birth. SPEAKER_10: That she existed on a diet of bird seed and you know all these things. Yeah. SPEAKER_02: So it's a good idea like she's some kind of black forest princess or something. Exactly. SPEAKER_07: Exactly. Yes. Surya says you know at that age she really didn't know too much about what was going on. SPEAKER_14: You know as a kid I was like whatever my coach did it you know he's the one who speak English. SPEAKER_07: She could barely speak English. She was barely 16. SPEAKER_13: Yeah she was still a young baby. SPEAKER_07: You know I did talk to the guy who was coaching her at the time. This guy named Didier Gaiguet and and he told me he planted these stories. SPEAKER_13: We use the press very well. Wait what? SPEAKER_07: He said that he made up the beach thing. He made up the hair thing because he was trying to she was a star. SPEAKER_13: And what do you want to hear? Stories right? So we made some stories. Some good ones. Do you know what I mean? I'm just saying that we're making up stories because you want to hear them. SPEAKER_04: That is just creeped out. Yeah you're absolutely right. SPEAKER_07: It's shady as f***. But I can kind of see where he was going because what he was trying to do was that he was trying to present her to the world as this like radically new kind of skater. SPEAKER_13: Because female skating at that moment were nice cute girls. SPEAKER_14: Especially for ladies they like to keep the girls pretty. Flowers for Katarina. Those famous skaters like Katarina Vitt. The ravishing Katarina Vitt. Or Sonia Heni. Sonia Heni. They were like totally like women you know pretty graceful who make those men you know crazy when they were watching it you know. They were also... SPEAKER_13: White. Or would I say they had a certain conception of female skating. We didn't have the same one. SPEAKER_03: And it wasn't just that she looked different. She also skated different. It was a totally different approach. Surya was always very like explosive. Ladies and gentlemen Elvis Stoico is in the building. Free time world figure skating champion. Met Surya at juniors 1990. For me it was sort of a new a new face on the scene. Here's the good like the fresh stick of yum. Tiny 15 year old French girl who's captured everyone's imagination here. Like say a Tonya Harding style skating. SPEAKER_09: She was just so exciting and there was just no boundaries for her. SPEAKER_03: This is Tonya Harding and she and Surya were friends. SPEAKER_09: The strength and the power. SPEAKER_03: She'd step on the ice and... People go crazy. She'd strike a pose and then just take off. SPEAKER_03: Surya would go from one end to the other. Good speed across the ice. Flying across the rings. With powerful stroking. Her opening a triple lutz and a triple toe. SPEAKER_07: She'd come hurling into these jumps. Triple lutz. Soaring through the air. Triple toe. SPEAKER_03: With powerful spin. SPEAKER_07: Wow. And she'd do jump after jump. It really was a cool cut. SPEAKER_15: She really is amazing. SPEAKER_07: Combination after combination. Another triple flip. I prefer to hit a triple, triple jump than just to do a pretty spread goal. SPEAKER_03: And she would attack everything. It's a very fast step sequence. SPEAKER_01: She had the stepping, the gliding, the running. SPEAKER_10: She had it all. What a talent. SPEAKER_15: And the crowd here appreciate it. SPEAKER_03: With such jumping ability. And there's no end to what she might achieve. SPEAKER_07: Outside of competition, she would do these ice shows and exhibitions. And that's when you would see what she can really do. SPEAKER_03: She would just do all kinds of other jumps that weren't even allowed in competition. She would do backflips. SPEAKER_07: She would do hands. Backflips? SPEAKER_09: Yes, backflips. The very first time that I ever saw her do a backflip, I mean, my mouth just dropped open. That's Tani Harding again. I was like, how did you do that? SPEAKER_03: Because it's really dangerous. Elvis Stojko told us that one time he tried it and it did not go well. I came down right on my face and I split my eye open and almost broke my neck. And I was just like, you know what? I don't think this is going to be a good thing. But this little teenage girl, Serea Bonaly, no problem. Just doing it like it was nothing. She was just absolutely fearless. SPEAKER_07: And the crowd loved it. SPEAKER_14: People like when they stand up and start making noise and tap their feet into the ground, I can feel like the whole building. I'm like, I swear, it looks like an earthquake. But here's what happened. SPEAKER_03: And this is where things kind of get confusing. As Serea blows up and all these people who never liked figure skating fall in love with her over and over. SPEAKER_15: The judges don't. Artistic impression. And you can see disparity from the judges of 576. SPEAKER_14: Oh, man, the crowd do not like the marks. SPEAKER_11: Upset, no doubt. Even with the deduction. SPEAKER_02: She doesn't get high scores? No. SPEAKER_14: Tears begin to flow. It happened all the time. I skate good, but somehow it's not for me. And it's second place for Serea. SPEAKER_07: So the judging system in figure skating goes from zero to six. And on Serea's artistic marks, she would get scores like five zeroes, five ones. Yeah, you get your low fives, which sounds like it's a good mark, but that's not a good SPEAKER_03: mark. SPEAKER_12: Serea, what did you think of those marks? SPEAKER_11: Never mind. It's like I was very disappointed. You were really terrific. Never mind. You're the life I used to. What'd you say there? SPEAKER_03: She said, never mind. That's life. I'm used to it. SPEAKER_14: I thought it's still sports. Sports mean challenge. Every day I try to do the best that I could do. You do your best. It's fine. SPEAKER_03: But clearly there were some times where I got her. There was this one time we found on YouTube where she boos the judges. What? She gets her score. SPEAKER_07: The whole crowd was booing. SPEAKER_04: So why was she getting bad marks to begin with? What was the problem? Well, that's a question and it's kind of complicated. SPEAKER_07: Yeah, well I think there's several things. Jonnette Howard, that ESPN writer, she says the first thing you got to know, and just to take a quick little dive into the weirdo world of figure skating. Let's dive. Is that there's this fundamental tension in the sport of figure skating between artistry on one side and athleticism on the other. SPEAKER_03: Powerfulness versus prettiness. SPEAKER_10: They want these people to look like little ballerinas but leap into these jumps like predators. At the time skating was sort of locked in this loud and fractious debate about what do we want to be? And surya was sort of the epitome of almost the endpoint. What could happen if somebody with unrivaled athleticism and no aversion to risk was willing to go after it? And I think there were a lot of people in skating that didn't want it. SPEAKER_12: I went through it. I know all about it. SPEAKER_03: Now Tanya Hardings, she said that she had this issue. I didn't want to skate like what they wanted skating to look like. Elvis Stojko too, but in surya's case, there's a lot of work to be done on the choreography yet. SPEAKER_07: There's a lot of work to be done on the grace. All those words used to criticize for skating. There's a lot there to be fixed. SPEAKER_11: I'd like to see her start jumping for six months and learn to skate. SPEAKER_07: We're just a little bit more loaded. SPEAKER_03: They would say things like, oh, raw talent there. There's a lot of raw talent, but it's not fully, kind of hasn't been refined. And it's for us, like non-skaters, that's been one of the challenges of the story, I guess, is trying to see, is that a legit criticism? SPEAKER_07: Or is this just a way of saying that she's black? SPEAKER_06: It was racism. I have the courage to say it because she was black. SPEAKER_03: So this is Marie-Ren Laguna, and she is a former French figure skating official. And she was part of a team whose job it was to decide which girls to send to the World Junior Championships. SPEAKER_06: And we have to choose only two girls. And we had three possibilities. SPEAKER_03: She said that she backed surya. SPEAKER_06: And the majority of the people didn't want black skaters. Were they saying it out loud? SPEAKER_07: Look, we don't want her because she's black? No, it was very subtle, in fact. SPEAKER_06: According to her, what they would say, they would say the kind of things like, she was SPEAKER_07: too muscular or she wasn't elegant enough. SPEAKER_06: Oh, yes, I have to say that word, elegance. Many times I have heard that word. She's not elegant. Marie-Ren is an outsider in the figure skating world these days because of an unrelated scandal. SPEAKER_03: And so we weren't totally sure what to think about that. But, wait, how did surya feel about all this? SPEAKER_03: Well, I asked her, did you feel like any of the difficulty was because you're black? No. Did you feel like any of it was about race? SPEAKER_14: No? No, no, no. But then moments later, she said, well, you know, when you're black, you know, everybody SPEAKER_14: knows that you have to do better than anybody else who's white. Well, I think the idea that she was held back in her marks for any other reason other than SPEAKER_11: the quality of her skating, I think is incorrect. That's Sandra Vesic. I've been involved in the skating world my whole life as a competitor, as an Olympian, a commentator. And actually as a commentator? SPEAKER_07: I'd like to see her stop jumping for six months and learn to skate. She was kind of hard on surya. Yes. And when we asked her why, this is what she said. SPEAKER_11: Everything about skating is built on circles. The radius could be huge, but it's still a circle. Everything is about edges and leaning into those edges and leaning into the turns and carving massive circles on the ice. And that is our sport, which leads to surya. I mean, if you watch your jumps there, they were on straight lines. And if a jump is on a straight line, then it can't land with flow because the idea is to land your jump with as much speed and flow as you had going into it. And that's something that she couldn't do because she was jumping on straight lines. And then the other thing about skating that you don't necessarily get on camera is the SPEAKER_11: sound of the edge. The sound of a beautiful skater going from edge to edge, from lean to lean. What does that sound like? It's... Ah! SPEAKER_11: It's a beautiful sound. It's a sound that we all love. It's a gentle carving. It's a clean sound. The sound I have in my head is like a hockey shot, but that's probably not the sound you're SPEAKER_03: listening for. SPEAKER_11: No, no, no, no. Because there's no... I can tell you, there are no scratches. It's a glide. It's just a hum. Gosh, I wish I had a good word to describe it. And there are different sounds. I mean, there's the sound of Brian Boitano's back crossovers that used to excite me when I was in the rink with him. But then there's also sort of the gentle, almost soundless quality of, say, a yukasato or a katyagoriyeva, where they're like a whisper across the ice. And yet they're flipping from one edge to another edge and forward to backward. And it's almost... it's just this glide. SPEAKER_11: I haven't got a good word for it. Damn. SPEAKER_03: So when Surya was skating, would she have that sound? No. SPEAKER_11: She would be scratchy. SPEAKER_03: Now, we should say that wasn't the sound of Surya skating or any of those other people. We just miked up a whole bunch of pretty good figure skaters. Were they professional skaters? Yeah, yeah, yeah. These are legit skaters. They're professional figure skaters. SPEAKER_07: And we sent the clip to Sandra and she was like, yes. SPEAKER_04: So she gave you the thumbs up that we got it right. Yeah. But see, I don't necessarily hear whatever it is she is hearing and think yes. I mean, they sound different, but not even that different, really? SPEAKER_03: So that's exactly the problem. Ice skating is largely about aesthetics. So as far as sports go, it's like kind of in its own category. Like if you're talking about Serena Williams, who's facing a lot of these same kinds of criticisms, it doesn't matter. There's a line on a court and it's either inside or outside. There are rules. Whereas there aren't these rules when it comes to beauty. It's super slushy. And that makes someone like Surya much more vulnerable. SPEAKER_04: So what ended up happening? SPEAKER_07: Well, after a couple of years of getting these kinds of marks, she does some soul searching. SPEAKER_14: I mean, I was a bit more mature. In 1992, at the age of 18, I had new career change my whole skating world. You know, I changed cultures. SPEAKER_07: And she decides to take the note. She actually travels to California and works with Frank Carroll, who's like this legendary American coach. And what she's doing is that she's trying to, you know, be more graceful, more beautiful, more elegant, more circley. Yeah. And then after that, you kind of see a difference. Yeah, you can watch the YouTube videos from that period. SPEAKER_03: And it's like she's a different skater. Huh. SPEAKER_04: Yeah. SPEAKER_07: Does it work? Yeah. In 1993, in the world championships, she comes in second. SPEAKER_03: And then by the time 1994 rolls around, she is a favorite. She is probably going to win. SPEAKER_04: And what happens? SPEAKER_03: Things take a really strange turn. SPEAKER_04: We'll be back. SPEAKER_05: Lulu here, if you ever heard the classic Radiolab episode sometimes behave so strangely, you know that speech can suddenly leap into music and really how strange and magic sound itself can be. We at Radiolab take sound seriously and use it to make our journalism as impactful as it can be, and we need your help to keep doing it. The best way to support us is to join our membership program, The Lab. This month, all new members will get a T-shirt that says sometimes behave so strangely. To check out the T-shirt and support the show, go to radiolab.org slash join. Radiolab is supported by Capital One with no fees or minimums. Banking with Capital One is the easiest decision in the history of decisions, even easier than deciding to listen to another episode of your favorite podcast. And with no overdraft fees, is it even a decision? That's banking reimagined. What's in your wallet? Terms apply. See Capital One dot com slash bank Capital One N-A member FDIC. Radiolab is supported by Apple Card. Apple Card has a cash back rewards program unlike other credit cards. You earn unlimited daily cash on every purchase, receive it daily and can grow it at 4.15 annual percentage yield when you open a savings account. Apply for Apple Card in the wallet app on iPhone. Apple Card subject to credit approval. Savings is available to Apple Card owners subject to eligibility requirements. Savings accounts provided by Goldman Sachs Bank USA. Member FDIC terms apply. SPEAKER_12: After but her emails became shorthand in 2016 for the media's deep focus on Hillary Clinton's server hygiene at the expense of policy issues, is history repeating itself? SPEAKER_01: You can almost see an equation. Again, I would say led by the times in Biden being old with Donald Trump being under dozens of felony indictments. SPEAKER_12: Listen to On the Media from WNYC. Find On the Media wherever you get your podcasts. SPEAKER_04: This is Radiolab. Let's get back to our story about Surya Bonaly or Bonally as it's said in French from producers Tracy Hunt and Latif Nasser. SPEAKER_03: I'm really curious what happened at that medal ceremony in 1994. Oh, it was the World Championships? SPEAKER_14: That was the World Championships, not the Olympics. No, no, no, not the Olympics. Well, we had this World Championships in Japan. SPEAKER_15: Seven Olympic titles, seventeen World Championships. SPEAKER_03: Just to set this up, the World Championships are the second most important event in figure skating after the Olympics. SPEAKER_07: And at the Olympics, which were just a month before, the top three ladies, 16 year old Oksana Bayo, Oksana Bayo got gold. Nancy Kerrigan is Nancy Kerrigan got silver. Chen Lu got the bronze in fourth place with Surya. Now those top three ladies, Oksana, Nancy, Lou out of the picture, out of the picture for various reasons, injuries and some turn pro and stuff, but whatever. SPEAKER_03: The point is, at these World Championships, the highway had been cleared for Surya. SPEAKER_07: She was going to take it. It was hers for the taking. SPEAKER_15: This is her winning season. Will it be gold? SPEAKER_03: So jumping forward to the final day of the championship, Surya is in second place. SPEAKER_01: She takes the ice, 20 years old from Nice in the south of France. SPEAKER_03: Starts her program. SPEAKER_07: Immediately starts with this double axle. That's very incredible. After that it's just triple, triple, triple, triple, triple. It was just one of the best skates of her life. SPEAKER_14: I knew I did my best. I did everything. It was not perfect because nobody is perfect, but pretty good competition overall. SPEAKER_03: Eventually after about four and a half minutes, she finishes her skate. SPEAKER_15: Surya Bonaly to the Valdez Four Seasons. Loads and loads of technical difficulty. The question is how will they see her artistic effort? SPEAKER_03: And she goes over off to the side to a bench with her coach to await her results. SPEAKER_13: The marks for Surya Bonaly. SPEAKER_15: Technical merit. And some 5-9s that please her. SPEAKER_09: 5-8, 5-9, 5-8, 5-8, 5-8, 5-8. SPEAKER_15: Those are as high as any we've seen. SPEAKER_03: When she gets her marks, she jumps into first place and there's only one skater left. It's a skater who usually finishes below Surya in competitions. Yuka Sato. Again, that's Sandra Bezic. SPEAKER_11: We all know Yuka's skating. She's the kind of skater that puts a smile on your face. SPEAKER_03: Yuka was one of these really lyrical skaters. Making his return, Elvis Stoico. And Yuka had this very gorgeous, beautiful, style and grace to her skating. This gentle, almost soundless quality like a whisper across the ice. SPEAKER_03: Basically her skating style was the exact opposite end of the spectrum from Surya's. SPEAKER_15: And now Yuka Sato, the 21-year-old from Tokyo. SPEAKER_03: So she gets up. Does her final skate in front of the home crowd. SPEAKER_04: Yuka is one of my favorite skaters, but she doesn't have the combination jumps like Bonaly did, so she's going to need all her jumps opening up with her triple legs. And she hits her first jump. SPEAKER_07: Crowd loves it. SPEAKER_14: She did good. She did good. She had maybe less triples than me, but she was maybe more prettier. SPEAKER_07: In her routine, there were these moments where it just looks like she was just sort of skipping across the ice. Just very balletic moves. I know, she's good, you know. SPEAKER_15: They stand as one here at Makuhari Event Center for the local favorite, Yuka Sato. Now it's down to the judges as to whether the gold medal belongs to Sato of Japan or Bonaly of France. SPEAKER_07: So Yuka gets off the ice. She goes to wait for her marks. SPEAKER_15: First marks of course for technical merit. Bonaly's strength. Although Sato stayed in the jumps so well, and every one of those marks except the finish judge go to Bonaly. She wins eight out of nine technical merit. But when it came down to the artistic marks. SPEAKER_07: Just the opposite than the technical marks. SPEAKER_04: Eight out of nine judges, all but the French judge giving her higher marks. SPEAKER_07: Those go to Yuka Sato. SPEAKER_04: Boy, this is going to be close. SPEAKER_07: It actually ends up being a tie. SPEAKER_03: So it goes to being a tiebreaker. SPEAKER_07: And that's when the judges basically pick first, second, and third. And in a 5-4 decision. Artistic impression. SPEAKER_15: There it is. She's got it. 5-4. Sato is the new world champion. SPEAKER_14: Unfortunately, they chose her. SPEAKER_15: Off to the dressing room for the new champion. She'll be back. And so will we for the medal ceremony. SPEAKER_07: What happens next is one of these moments that really defines Surya's story for a lot of people. SPEAKER_03: What happened was that right after all the results were out, they set up the medal ceremony. They called out the skaters. They first called out Yuka. She comes out from this tunnel backstage onto the ice. SPEAKER_15: What a moment. SPEAKER_03: Waves, smiles at everybody. And then after about a minute. SPEAKER_15: Now the silver medalist. SPEAKER_03: They called out Surya. Surya Mona Lee. SPEAKER_15: And where is the European champion? SPEAKER_15: All the cameras crowding around and she didn't come out. SPEAKER_07: Not immediately. A late arrival and here she comes. SPEAKER_07: She skates out onto the ice. She waves but her face isn't smiling. And then when she gets to the podium, she congratulates Yuka Sato. But then... SPEAKER_07: Well, Mona Lee has chosen not to stand on the podium. SPEAKER_03: She just stopped before getting on the podium. She just stood right next to the podium. SPEAKER_15: I think this is a form of protest. I really hope she doesn't go through with this. SPEAKER_03: She wouldn't stand on it. She was crying. SPEAKER_07: Elvis actually was in the crowd watching. SPEAKER_03: I felt bad for her because I know what she was going through. Where you know you out skated your competitor and they just wouldn't give it to you. And I was like, Surya, just get on the podium, take the medal. International Skating Union President Olaf Hulson. SPEAKER_03: The figure skating official who's giving out the medals. He gives Yuka the gold, puts it around her neck. But then when he turns to Surya, he just sort of stands there, looks at her. He says something but you can't hear what it is. She shakes her head. SPEAKER_07: He puts the medal around Surya's neck, shakes her hand and then he holds onto her hand. It just kind of like pulls her onto the podium. SPEAKER_04: This is the first for me, that's for sure. SPEAKER_15: Just heartbroken. Oh, and she takes off the medal. SPEAKER_03: She takes the silver medal off of her head. Like oh my God, holy s***. She's actually doing this. It was huge. It was a huge deal. The camera zooms in on her face and she is just weeping. Oh, what's going on inside that young woman? SPEAKER_03: So after the medal ceremony is over, she just gets mobbed by reporters. Surya, why did you not accept the medal? SPEAKER_15: What was the problem? SPEAKER_14: Because it's not my place and I'm just disappointed. SPEAKER_09: Are they unfair to you, Surya? What? Are the judges unfair to you? It's alive, but it's very bad. SPEAKER_15: Do you feel you were robbed tonight? Is that what you're saying? SPEAKER_07: Did you deserve the gold medal, Surya? And eventually what she says is... I'm just not lucky. SPEAKER_07: I'm just not lucky. SPEAKER_03: What was going on? Like what happened? I think it was more like a point of saying, this is it, stop now. SPEAKER_14: When you put your fist on a table and say, okay, now enough is enough. That's it. And say, hey, I'm not dumb and I'm getting sick now. I'm sick of it. I keep my eyes open. That is not fair. That has to stop. And it was just so depressing and it was so not fair. Mostly it was not fair. What about it felt unfair? Because that's happened over and over so many times that every time it's never me because whatever I can do, how many triple, I can be pretty, I can have the best choreographer. So everything was made to be on the top. And still I'm like, what do you need more of me to do at this point? How many triple, triple you want me? If I don't do, you kill me. And if I do, you don't care. And anyway, you choose somebody else. Don't you think that that's a little unsportsmanlike? SPEAKER_02: Yeah, totally. Absolutely. SPEAKER_07: Yeah, but if she... All these other girls have worked just as hard as she has one presumes. SPEAKER_02: Sure, but okay. SPEAKER_03: So picture yourself. If you're at that position, you're in that position, you find yourself getting second, second, you feel like you're not, you're not... She came in second. That's okay. The margin was so close. It was so close. It's always close. Yeah. I can't... Can I... Yeah, yeah. SPEAKER_07: Go, go, go. I just more like felt empathy for her. I can't imagine what it must be like. Well, I can imagine what it must be like. But I, you know, in that kind on that scale to be the only one. And there is this, I think for, you know, a friend of mine once told me that racism can make black people crazy. Which is a very broad way of looking at it. In the sense that you kind of almost never know why people are reacting to you the way that they do. And it's kind of, you're always sort of second guessing, you know, was that, you know, did they know that guy just came in and he said hi to everybody in the room, but he did say it to me. What is that? What was that about? And so there's no obvious thing about it, but it can make you feel a little paranoid, SPEAKER_07: a little crazy. Now, I cannot put myself, I can't imagine how, you know, Serea felt in that moment. But I didn't necessarily like think that, you know, these prejudice people had denied her this. If anything, I felt more like, man, it really must suck to be the only black woman skating at that kind of level and not really understand why things are happening. Or maybe it must be like a very confusing situation to be in. And that is, and it was more like empathy. I don't know, you know, if there was racism. Quite frankly, Yuka Sato is an amazing skater. And I think you're right. SPEAKER_02: It's very legitimate to feel like you can't put your finger on this feeling, which never goes away, and never resolves, and is always there, and always makes you feel weird. What happens after the... SPEAKER_04: That's our producer, Matt Kielty. SPEAKER_03: After the ceremony? SPEAKER_07: I think the rep that she got after this moment was that she was a sore loser, and that she was defiant, that she had a bad attitude. SPEAKER_04: And does she quit at this point? No, she keeps going. SPEAKER_07: She competed again in the world championships in 1995, the very next year, and she came in second again. Again. SPEAKER_03: So three years in a row. In a similar pattern? SPEAKER_02: Was there just one sort of... That one wasn't as close, but she was second again for the third year. SPEAKER_03: Did she skate in a lot of other competitions after 95? I think she did. Yeah, the various European championships, Skate America, a bunch of them. SPEAKER_03: She was doing a lot. She never wins? Not at the Olympics, not at the world championships, no. So she never gets first? Uh... SPEAKER_03: What? I guess it depends on how you define first. What do you mean? Well, you'll see. So that actually takes us right back to the beginning. SPEAKER_15: We're here live at 10 a.m. on Saturday morning in Japan. SPEAKER_07: So to jump forward, but rewind, we're in Nagano, Japan, 1998 Winter Olympics. SPEAKER_14: I knew it was my last Olympics, last major, major big competition, and everything was fine until the day before the short program. I pulled a muscle. SPEAKER_03: Her left leg. SPEAKER_14: And I couldn't lift. I couldn't do anything. SPEAKER_03: To make matters worse, Sariya at that moment was already recovering from a ruptured Achilles tendon. SPEAKER_14: People had to carry me to walk stairs because I couldn't get stairs, so they'd have to lift me to go to my room because, you know, at the Olympic Village, I couldn't walk. You know, if I'm broken, I'm damaged. I'm like a used car that's really good for, you know, trash. I was like, you know, really, I was so messed up between my legs and my Achilles, I was like, oh, it's a disaster. And the doctor said, maybe we should withdraw. I'm like, no, I'm already here. You know, I don't want to just maybe retire. Probably my last competition, I don't want to just retire like that. Just give me anything you can. I have to keep going. SPEAKER_03: And so on the final day… She says that she, you know, between medicine, massage, acupuncture, pills… SPEAKER_03: She goes back out on the ice. And is now getting ready to skate for her country. SPEAKER_03: She's in this golden blue sequined outfit and she starts her routine. You can tell she's favoring one leg, but she manages to land a few jumps. SPEAKER_12: Then she falls. SPEAKER_07: She gets back up, keeps going through her routine. SPEAKER_04: There's the triple sail code. SPEAKER_07: And then she says she just got to this point where she just knew she couldn't do it. SPEAKER_14: It was so much in pain. And towards the end of the program, I was supposed to go for two more triple. And I said, you know what, I'm not good. I don't feel it. I know I'm going to crash. I can do it. I'm not capable. My leg is not with me anymore. SPEAKER_03: And then what comes to her is that there is this move that she has in her repertoire that she can do, but it's illegal. I had a special thing in my backpack and said, hey, I can do it. SPEAKER_14: It's my last competition. Was this all going through your mind as you were skating? SPEAKER_14: Yeah, totally. You know, me, it's like a computer. If I would have missed something, a jump, I would say, okay, here, I can fit a triple here. Over there, I can do a combo, triple, triple. I know I need to fit something. SPEAKER_03: You're like the GPS lady. You're like recalculating. Yeah, totally. SPEAKER_14: Rerouting. Okay, what do we have to do right now? SPEAKER_03: So in her rerouting, she turns around from skating forwards to skating backwards, picks up speed just like she's about to do a triple. But instead, she does a backflip. SPEAKER_03: But not any old backflip. She swings one leg over, does the splits in the air. SPEAKER_07: Upside down? Yeah. And then she lands on one foot. SPEAKER_12: Wait a minute, when you do the backflip, do you go, do your skates go up towards the ceiling SPEAKER_02: and then come back down underneath you again? SPEAKER_07: Yes. It's a backflip. I don't know how else to... Wait, why was it illegal? SPEAKER_03: Well, it's illegal because it's so dangerous. Also, she says you're supposed to land all your jumps on one foot. But she did that here. So like, oh, well, good, you did it on one foot, just hold, hold, at this point just SPEAKER_14: hold. And it couldn't be totally illegal because as long as you land on one foot, maybe we will think about it. SPEAKER_02: And she finishes her program with her back to the judges. SPEAKER_14: And usually you skate, you perform, you smile in front of the camera, boom, it gives you the mark. So for me, it took like 10 minutes, seriously, 10 minutes, people think about what should we do? I was like, oh my god, they didn't know what to do with me. And I said, whatever, just put a zero and so we can move on. Here are the marks. Did she get nailed? SPEAKER_01: Absolutely, 4, 8, 5, 2, she knew. SPEAKER_11: How do you get noticed in Olympic competition? SPEAKER_01: Do a backflip. So they didn't change their mind about the backflip in the end. SPEAKER_03: Nope. So she ends up finishing 10th. I was like, yeah, I finished 10th. SPEAKER_14: It's okay. SPEAKER_03: Now afterwards, a lot of people interpreted that backflip as a big fat middle finger up to the entire skating world. I know you don't want me to, but I'm going to do this anyway. But when I asked Sariya if that's what was happening, she said, no, I don't know why SPEAKER_14: people keep saying that, you know, I was just trying to be happy. SPEAKER_03: She said she just wanted something that was hers. Yes, yes. Had anyone ever done this backflip onto one blade before? SPEAKER_14: No, no, no, no, no, no, no, no. I'm the one who created this one. That's why it's called the bonali. Oh, that's called the bonali? Yeah, yeah, yeah. I'm the only one who did it. SPEAKER_03: Wow. You're the first person in the history of the human race who has done that. SPEAKER_14: Yeah, yeah, yeah. So knock on wood, I hope, you know, I'll be able to die in peace. Don't steal my backflip. I'll do my best. Yeah, that's, yeah, that's mine. SPEAKER_02: So I'm just curious, like what has happened since this story ended? SPEAKER_07: Well, she retired from figure skating after the 98 Olympics. She continues to do ice shows occasionally. But right now, I think the main thing that she's doing is she's coaching. She lives in Minnesota. And she's coaching in skaters. Yeah. SPEAKER_03: So when we asked people like, oh, did she change the sport? Did she change figure skating? The answer they would keep giving to us was no. No, she didn't. Yeah. SPEAKER_07: A lot of people were like, eh. You know, it's not like all of a sudden, you know, figure skating rinks across the country, across the world are flooded with little black girls learning their saw cows and their Lutz's and things like that. I will say from what I can tell, for the first time that there are, there's more than one black skater competing at the same time, internationally at least. What about backflips? SPEAKER_02: Are there backflips everywhere? No, no backflips, sadly. Are they still illegal? SPEAKER_03: They are still illegal. Yeah. SPEAKER_07: Yes. So she was just this sort of like almost this sort of blip on the skating scene where she was just, you know, no one was like her before. And there hasn't really been anyone like her since. SPEAKER_03: But there is this kind of ironic thing, I guess, which is that if you took her and you put her in competition today, if she was competing on the world stage today, she would probably do better than she did back then. They've changed the scoring system. So now you get points for doing the kinds of power moves that she was doing way back when. And even if you spill, even if you fail at those moves, you still get points. SPEAKER_07: You get points for trying. SPEAKER_03: Yeah, just for daring. And Surya was daring. She was a darer. SPEAKER_04: Producers Latif Nasr and Tracy Hunt. Tracy spent the last few months with us producing that story as part of the WNYC Fellows program. Tracy, we will miss you a lot. The piece was produced by Matt Kielty. Original music from Matt and also from Dylan Keith. Special thanks to Vanessa Riley, Moira North, skaters Aliza Anjoli and Christian Irwin from the Ice Theater of New York. And to Ed Haber for recording it all. And a very heartfelt thanks to Marilyn Wiggins. I'm Jad Abumrad. I'm Robert Kolich. Thanks for listening. SPEAKER_00: Hi I'm Maureen and I'm calling from Charlottesville, Virginia. Radiolab was created by Jad Abumrad and is edited by Soren Wheeler. Lula Miller and Latif Nasr are our co-hosts. Dylan Keith is our director of sound design. Our staff includes Simon Adler, Jeremy Blum, Becca Bressler, Rachel Cusick, Aketi Foster-Keys, W. Harry Fortuna, David Gable, Maria Paz-Gutierrez, Sindhu Nayanthambandan, Matt Kielty, Annie McEwen, Alex Neeson, Sara Khari, Anna Rasquick-Paz, Sarah Sondbach, Arian Wack, Pat Walters and Molly Webster. Our fact checkers are Diane Kelly, Emily Krieger and Natalie Middleton. Hi, this is Beth from San Francisco. SPEAKER_09: Leadership support for Radiolab science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, Assignments Foundation Initiative and the John Templeton Foundation. Social support for Radiolab is provided by the Alfred P. Sloan Foundation.